Monday, December 9, 2019

Fiction Production For Moving Image Documentary

Question: Describe about the Fiction Production For Moving Image? Answer: Introduction: This discussion aims to discuss the genre of fictional film. Fiction film or narrative film refers to a film that mainly tells a full story or an event. The fictional film convinces the audience to unfold the fiction into real situation. History of fiction film: Arrival of a train by August Lumiere was the first fiction film. However, in the year of 1500, Leonardo Da Vinci developed the camera obscura that is useful for observing a movable image. Thereafter, Da Vinci had presented The magic Lantern, a drawing that also had presented an idea of moving image. At that time, people were eager to watch that type of moving image. However, Lumiere brothers were the pioneer in the field of moving image. They also did a pioneering activity within the field of fiction film. They had taken the initiative to tell a story to the audience. Audience received cinematic experience while observing the pieces of invention of Lumiere. This fiction piece had provided fictional experience to the large group of audience. The audience at that era was very much excited about this innovation. In 1902, George Melies had made one science fiction film, called A trip to the moon. This film was based on two novels of that era. From the Earth to the moon by Jules Verne and The First Men by H.G Wells had inspired the director of this film. In this era, several documentary type fictional films had been made by some eminent film directors of this era. Edwin Stanton Porter made some important films in this era. The great Train Robbery and American Fireman were two groundbreaking films of that era. These films had been made by different variety of scenes. Several techniques of cross cutting, cut, wipe, fade in and fade out had been used by the director. These films got successful reception among the audience. American stalwarts of film DW Griffith made a pioneering fiction film The Birth of a nation; this film was very lengthy. This film told a whole story to the audiences. Development of fictional production: According to (), first mechanical system of television had been invented in the year 1906. In this era, film has started to tell the real story of society as well as political and civil situation of the world. In 1922, Robert Flaherty made the first documentary film within the world of cinema. He made his revolutionary film Nanook of the North in this year by doing shooting in extreme north of the America. This film had been made with the real example of the lives of Nanook. However, in the year of 1927, Walt Disney was been created. They invented some cartoon characters for providing comic entertainment to the audience. In 1930 and 1940, the television production had been dominated by the projection of war of different countries within the world. Conclusion: The history as well as development of feature film is never ending aspect of the cinema. There are several technique of film making like neo realism, new wave production of films and televisions. These techniques had provided positive impact upon the innovation of new technique and process within the era of films. Reference list Barnouw, E, Documentary. in , New York, Oxford University Press, 1993. Han, D, 'Copyrighting Media Labor and Production: A Case of Chinese Television'. in Television New Media, 13, 2011, 283-306. Lee, D, 'The Ethics of Insecurity: Risk, Individualization and Value in British Independent Television Production'. in Television New Media, 13, 2011, 480-497. Lucia, C, R Grundmann, A Simon, The Wiley-Blackwell history of American film. in , Malden, MA, Wiley-Blackwell, 2012. E Barnouw,Documentary, in , New York, Oxford University Press, 1993. D Lee, 'The Ethics of Insecurity: Risk, Individualization and Value in British Independent Television Production', inTelevision New Media, vol. 13, 2011, 480-497. D Han, 'Copyrighting Media Labor and Production: A Case of Chinese Television', inTelevision New Media, vol. 13, 2011, 283-306. C Lucia, R Grundmann A Simon,The Wiley-Blackwell history of American film, in , Malden, MA, Wiley-Blackwell, 2012.

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